Come see the awesomeness that is my mediocre Ms. Pacman score!
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"When Marvel and DC fall (and for me it's when, not if. I guarantee to you that ten years from now the idea of going to a comic shop to buy part 17 of a universe-spanning crossover event will seem as bizarre to readers as it would be for readers today to go to a grocery store to pick up Night Nurse), the world of comic books is going to be in serious disarray. Local shops that haven't already branched out into geek interests beyond comics will be destroyed almost overnight; hybrid stores that offer everything from video games to baseball cards and maybe have a social element - coffee shop for instance - will be left standing, but barely. Spider-Man will go on to star in five more movies, and there will be some sort of comic tie-in for them, but that'll be tertiary marketing. The Big Two will still be publishing something, but it won't be monthly pamphlets in the way we know them today - maybe we'll get endless reprint trades and occasional new graphic novels.
The comic world will seem like a wasteland for a while, but those independent mammals will have positioned themselves perfectly for the next phase. I don't think these books will become suddenly profitable overnight; I know that many creators struggle to make ends meet while producing their books. That won't change. People will still have day jobs and will write and draw on the side. But suddenly, without the superhero choking everything, these books will find the opportunity to grow. The artistic drive that makes people want to tell stories will continue, and a new economic model for these books will be created - hell, it's already being created. And I don't think that this means comic books will suddenly become an endless series of stories about being abused by your dad or about having no luck with girls; there will be adventure and science fiction and horror and romance. Getting into writing and drawing mainstream comics today is like being in a cover band - you want to do your version of Aquaman. When the superhero dies, it's going to be like being in a garage band. You do it because you love it, because you have songs to sing. And maybe somebody will take notice and you'll make some bucks off it."
However, Ned at Manolith puts it all in perspective:"While most blogs seem to be talking about this clash between the ideals of the comic series and the commercialism of this promotional item, I was first struck by the overt connection being made between sex and comics. The idea of the "fan boy" has been a topic that I have personally been really interested in lately, so seeing this opportunity for guys to essentially have sex and think of themselves as a superhero* is especially intriguing.
Some may think that a feminist discussion surrounding this condom is a little played out, since the idea that comic books are frequently a boy's club isn't exactly groundbreaking (neither is the notion of men being protectors). However, this does seem especially interesting, right?"
"Like most of America, I have a boner for the new Watchmen movie. Yup. I am so excited to see it, I have a boner."Is there anything sexist about this promotional Watchmen condom? Is a certain gender being discriminated against? Is there a statement being made?
"Because, with that one big exception (Batman), DC's heroes are from a different era. They're from the era when they were creating gods."And the thing that made [rival publisher] Marvel Comics extraordinary was that they created people. Their characters didn't living in mythical cities, they lived in New York. They absolutely were a part of the world. Peter Parker's character (Spider-Man) was a tortured adolescent.
"DC's characters, like Wonder Woman and Superman and Green Lantern, were all very much removed from humanity. Batman was the only character they had who was so rooted in pain, that had that same gift that the Marvel characters had, which was that gift of humanity that we can relate to."
Whedon also explained his side of the Wonder Woman movie fiasco:
"They didn't tell me to leave, but they showed me the door and how pretty it was. Would I like to touch the knob and maybe make it swing? I was dealing with them through [producer] Joel Silver who couldn't tell me what they wanted or anything else. I was completely in the dark. So I didn't know what it was that I wasn't giving them. I've moved on."
Between this interview and the ones he done for "Dollhouse," I really get the feeling that right now Whedon is a bit disillusioned by the whole Hollywood thing, period. He sounds really annoyed. He sounds tired and frustrated. I think "Dr. Horrible" has been his one pure creative joy in at least a few years.
Won't nobody think of Joss?
"Hulu, founded by NBC and Fox, has become a better moneymaker than Web darling YouTube. The moral: better content wins."
"Authoritative vs. "Amateur" is the general crux of the mainstream media companies's...bid for pay-based content."
"The media companies are going to push "Authoritative" vs. "Amateur" within two years."
"Unlike YouTube, Hulu had legal access to great content—shows from NBC, Fox and others. And it had great technology—a clean, simple user interface and a smart search engine. Today, just one year after its launch, Hulu has gained the upper hand. "The empire is striking back," says Arash Amel, analyst for researcher Screen Digest. " (emphasis mine)
"Hulu's team is trying new approaches to advertising that they hope will be more palatable to viewers, and more effective as well. One idea: a viewer can choose to see ads interspersed throughout a show, or can watch a single long advertisement up front. (But either way you can't skip through the ads.) Another example: a carmaker lets the viewer choose to see an ad for a pickup truck, a crossover SUV or a sports car—so the viewer gains some control, and the advertiser doesn't waste a pickup-truck ad on someone who wouldn't be caught dead in one."
"YouTube has lots of content, but from the perspective of advertisers much of it is utterly worthless. Nobody wants to tout their brand amid user-generated videos that could turn out to be almost anything..."
"Fun as it may be to watch someone's kitten playing with a piece of string, last night's episode of "The Office" makes for a more compelling experience."
"Hulu insists it's not really competing with YouTube. In fact, its real victim might be cable companies. Why pay $100 per month for a cable subscription when you can get so much great stuff online at no cost?"
"I always told the BF that once another Hulu-type streaming video service comes out, we were going to have to cancel the cable."
"We have media media media (inexpensive media) coming out off our butts. Which is awesome. Sucks to be the cable companies, though."
"...the 'nethate over FC is unlike anything I've seen in a long, long time, and it's only fueled by the fact that DC editorial staffers were making fun of Grant in public ON THE NYCC DC PANEL, which is really reprehensible and unprofessional behavior. Really, you'd think Grant had somehow Destroyed DC Comics. I'm cranky about it on Grant's behalf, because I generally believe that hate and vitriol should be reserved for people who deliberately try to do you harm, not people who try and sometimes fail to entertain you."-- Mark Waid, Boom Studios message boards.
"I have to say that I haven't seen a comic, much less a superhero comic, for a very, very long time now—years, probably almost a decade since I've really looked at one closely. But it seems to be that things that were meant satirically or critically in Watchmen now seem to be simply accepted as kind of what they appear to be on the surface. So yeah, I'm pretty jaundiced about the entire "caped crusader" concept at the moment."
"...a welter of evidence suggests that Whedon is guilty here of the intellectual misdemeanor of wanting it both ways. Having indulged his desire to turn out a titillating, taboo-tweaking, publicity-gathering Fox-style escapism, he now finds this to be at odds with his reputation as a purveyor of positive feminist imagery in media and a supporter of human rights."
--Elizabeth Nelson
"I hate using the word "sexist" because it's overused and shrill, and, actually, it's not so much that I think Dollhouse sounds offensive to women; it's just that I'm sick to death of Whedon's "damaged female" shtick. He's done it and done it to death. It's become boring and unoriginal. Furthermore, he's gone back into his own damaged-female pond and cast Eliza Dushku (who played Faith, the ultimate damaged female, in Buffy) in the starring role! In essence, I'm not so much creeped out as I am totally bored, which is exactly why I deleted it from my TiVo wish list without watching a single episode."
--Stephanie Lucianovic
“… My experience told me that they could shut down this movie, and lock it away in Rupert’s vault … and make it the most unseen desired cult movie of all time … but I was extremely concerned. Many producer friends of mine said the same thing as Alex - that they’re just going for money or whatever — but I was like, ‘Yeah, okay, but there’s something beyond money going on at that studio and it has to do with … Satan.”
"Joey Manley is best known as the founder and publisher of the webcomics site Modern Tales,as well as numerous other web-specific entertainment properties. These properties include the subscription webcomics sites Serializer, Girlamatic, and Graphic Smash, and the webcomics hosting service Webcomics Nation."
"She gave it to me straight! I don't mean a thing to her. But, it was different--before Parker broke up with Gwen."