


Bomb-arooney:

Via Rotten Tomatoes:
"Not all new releases clicked with moviegoers this holiday weekend. The one casualty was Lionsgate's stylish actioner The Spirit which bowed to an estimated $6.5M over three days and $10.3M across four days. Playing in 2,509 locations, the PG-13 pic averaged a weak $2,593. Graphic novel king Frank Miller made his solo directing debut after co-helming the 2005 hit Sin City with Robert Rodriguez which opened much stronger with $29.1M over three days."
What insights can we glean from this startling turn of events, especially as it relates to how the Frank Miller film got its butt kicked by the heartwarming doggie flick Marley and Me?
1. Please do not overestimate the jadedness of the typical American film-goer. I'm speaking to you, oh great purveyors of dark superhero flicks. America is already depressed and angry enough without your help telling them what a shitty, amoral, and corrupt world it is.
2. Judging by the weak box-office results for The Spirit against that of the surprise success of The Valkyrie, maybe people prefer to see swastikas in a strictly historical context, and not as a heavy-handed campy fashion statement (even if it they are worn on a curvy Scarlett Johansson).
3. Speaking of camp, the ghost of William Dozier called, and is wondering why this Eisner chap keeps getting referenced as the main inspiration for The Spirit instead of himself, Lorenzo Semple Jr., and Stanley Ralph Ross.
4. Frank Miller as director of this film was, as Walter Sobchak might say, "out of his element."
Finally, one OS reader emailed me and asked, simply,
"When did Frank Miller become the Caligula of comics?"
A Spirit movie that would have at least broke even:
