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Showing posts with label comic book stores. Show all posts
Showing posts with label comic book stores. Show all posts

Thursday, October 23, 2008

The Great Comics Dare


Yesterday I asked a person I consider to be a knowledgeable and enthusiastic comic book fan to walk me through the New Comic Book Day shelves and recommend to me a bunch of titles I may or may not be familiar with. I was not able to buy everything, but I purchased 8 of the recommended titles:

Booster Gold
Big Hero 6
Hellblazer Presents: Chas The Knowledge
The Incredible Hercules
Daredevil
Criminal
House of Mystery
Justice Society of America

As I've said, some of these titles I have read before, and some are brand new.

Now I'm going to jump in and read them and gauge what level of "old skool comics appreciation' each title engenders in me. Will let you know.

Is anybody reading these books?

Wednesday, March 26, 2008

Tales of The Bad Comic Shop: The King Of The Silver Age


Here is a story about Alvin, who collected rare silver age DCs and wanted to break into comics.

I hung out with Alvin when I was a teenager. He was at least ten years older than me, but I guess mentally we related to each other.

Alvin compulsively collected silver age DC comics. Oh sure, he had his eye on the jewels of any silver age collection -- first appearance of the JLA, first appearance of The Flash. But, he was not a snob about it. He dutifully filled out long, dogeared runs on Doom Patrol and Adventure Comics. When he upgraded, he gave me the doubles. It was awesome.

Alvin would walk in to the Bad Comic Shop in which I worked with an air of an entrepreneur. He always made my boss go up on the ladder to take down the expensive comics from the case. Alvin would then pick this Green Lantern or that Adventure Comics and say, "here's 5 bucks -- put it on the side for me." This pile of comics, reserved for Alvin with a stack of $1 and $5 bills paperclipped to them, began to grow.

"Alvin, when you're gonna pay for these books?" my boss would ask every time my friend came in.

"Just hold them for me! I've got money coming in soon!"

Like many of my adult friends and associates at that time, I had no idea what Alvin actually did for a living. I just knew that Alvin's biggest goal was to become a professional comic book writer.

Alvin knew people in Comics. He told me stories of being friends with X, Y, and Z -- names that, if I told you, would be quite familiar to all of you. Alvin apparently worked these contacts hard, until one day an editor gave him a small assignment.

But, that was the only assignment he ever got.

In the meantime, he always had his job as an assistant on a political campaign. One night he asked me to out driving with him so I could help him rip down the opponent's posters. When I refused, he said that this was the way all campaigns were run, behind the scenes. That there was nothing personal in ripping down the posters; and, besides, the opponent was a bad person anyway.

When I refused to assist him in this endeavor, he took it really personally. We had a fight, and I never spoke to him again. It was probably for the best; a week before, I had found out that he told his mother we were "steady," when we weren't even dating. Never mind that I was 17 and he was staring down the barrel of 30. His mom was ecstatic at the news, by the way.

The years passed, and I lost touch with him. Eventually, I started work in the comic book industry. Nearly eleven years after the last time I saw Alvin, a mutual acquaintance mentioned that he had spoken to him. Alvin told him that he knew all about my job in comics.

Further, Alvin said that the reason he never got a job in the industry again was because of me; because I "bad-mouthed" him in the biz.

Mind you, I had barely thought about Alvin in years, much less talked about him to others. He was simply not on my radar.

And yet I was apparently on Alvin's radar. And he believed that the reason he was not a big name in comics was because of me. It was my fault.

It was not his fault -- perhaps a defect in character, or not a good enough writer, or simply not at the right place at the right time.

It was because -- he imagined -- I set out on a campaign to ruin him in comics.

And this was not the last time I heard this story from people who knew Alvin; Alvin was happy to tell it to anybody that would listen; at the video store counter, at a party. In fact, he apparently tells this story to this very day -- 18 years since the last time I saw him.

For some reason, whenever I think of Alvin, I always think of this:

In a comic shop that was not the Bad Comic shop, in this very very old comic shop that I think is still around, there might be this old brown paper bag with a selection of 1970s Marvels in it. Attached to the bag with a paperclip are the three dollars I put down, with the promise that I would be back to redeem the books. I went with Alvin to that shop, and he convinced me to put down the money.

I'm sure it's a long shot, but if I went into that ancient comic book store today, I swear to God that bag of old comics would still be there. Seething.

Image from Satan's Laundromat

Sunday, March 23, 2008

The "Bad" Comic Shop


Here is one of those "Last Exit To Brooklyn" type true stories about comic book culture from my youth. I was reading an excellent article about "bad" comic shops Alan David Doane wrote for the upcoming Comics Journal #289, and it brought me back through time...

I've already discussed on this blog what a crap hole-in-the-wall sort of comic shop I frequented and worked in when I was a teen. It was badly-lit and crowded with junk. My boss's idea of redecorating and covering all the dirt was to hand us a couple of boxes of Topps and Fleer bubblegum stickers and plaster the entire store with them, top-to-bottom. I'm serious. We covered the floors and walls with Charlie's Angels, Star Wars, and baseball stickers.

My boss hated children coming into his store. They bent the comics. He said that the kids would bend the comics and "make the comics cry." The kids were a nuisance and distracting.

My boss barely broke even on his store. Semi-retired, it was clear the store was just one big hobby for him, and not a real business. Half the people that frequented the shop were not even comic collectors. The store had a knack for just attracting the most dysfunctional elements of the entire neighborhood. Drunks, drug addicts, perverts. It was the first time I met heroin addicts; they would come into the store, sweaty, desperate (but very polite, mind you), looking to trade old toys and magazines for quick cash.

One of the store's regulars was a man I'll call Leonardo. Leo dressed in army fatigues, had a long red beard, and wore one those civil war type hats.

Leo was a commando. He was a "real cool dude." He said he knew how to kill somebody with a well-placed jab to a certain thin sharp bone.

Leo wasn' t really homeless; he had family. But he seemed homeless. He wasn't really unemployed; he did odd jobs, like driving live goats via his van to the neighboring meat markets and restaurants. Me and a friend took a ride in his van with him once. There were goat ghosts everywhere.

Leo liked to pick on a mentally-challenged woman who used to occasionally drop by the store. He liked to make fun of her, imitate her walk. He made fun of her when he saw her in the neighborhood, too.

I'll call the woman Ellie. Ellie was middle-aged and "slow," but very industrious. She, like Leo, did odd jobs, collected deposit cans, delivered newspapers. She walked the streets with this very purposeful but slightly mechanical gait.

Leo kept picking on Ellie, calling her "ugly," baiting her, calling her "stupid". Then one day, Leo didn't show up at the store at his usual time. And later, we found out that he was in critical condition in the hospital.

It turned out that Ellie's brother, a rather big fellow, beat the shit out of Leo. The details varied depending on who told it. Some say Ellie's brother did it alone, some say he did it with a group. The big story was that Leo was allegedly sodomized with some sort of long implement. Again, the details varied. Some said it was with a tennis racket, some say it was a baseball bat. I think the most commonly told tale involved a long rubber hose. This part might be apocryphal; but it was a big hit at the store.

But what was not debated was that Leo's head was bashed in. It was described as when you have a deflated football that somebody stepped on. That was how his skull looked like.

There was both shock and a sick sense of excitement in the shop over hearing news of Leo's predicament. That was the ambivalent nature of the social environment at the shop.

Eventually, that ambivalence turned on me, and my days with the shop had come to a close. Before I left the store for the final time, I told my ex-boss that a year from now, the place wouldn't even be there. According to his closeminded ethnic shorthand, he took that to mean a threat from me; I was Italian, after all. Maybe I "knew people."

But that wasn't it at all. It was just a matter of simple economics. My boss:

1. Hated children
2. Provided a shabby, disorganized store
3. Had poor, almost non-existent business sense
4. Encouraged an unhealthy environment full of hatred, gossip, and dysfunctional behavior.

Sure enough, within a year, the store was gone. Leo survived, but had some brain damage.

Ellie, who is probably in her 60s, still walks with a great sense of purposefulness up and down the streets of the neighborhood. I'm not sure of what she does, but she does an awful lot of it and seems content.

And me? Well, after I left that store, I swore I would never get dragged down in that sort of environment again. I entered college, swore off superhero comics, and only read the independents I purchased at Forbidden Planet. I would trek all the way to Manhattan just to buy my comics, avoiding my neighborhood and the surrounding ones entirely.

Anything that could take my mind off those grinning, leering patrons of the old store, hunched over the long boxes and scratched glass cases, unable to hide their amusement at the fact that their "friend" Leo the commando was in the hospital. They loved the drama. That's why I think they came by the store every day. Not for the comics; not even the comic book collectors for the comics. There were better stores in the area. Better lit, better stocked, cleaner. But they wanted the drama. And it was inevitable, given how they conducted themselves, that drama was to happen. It was a closed circuit that fed off itself.

image from Satan's Laundromat

Thursday, February 07, 2008

Faux Pas At The Comic Shop



So I headed down to the comic shop for New Comic Day (so not Free Comic Day) and while I was browsing, about a pile of 30 Buffy comics fell from the top shelf on my head. And you know, the area is crowded enough as it is with all the customers, and the floor is now covered in smushed copies of BTVS.

"I didn't do it!" I insisted. Which was true, I didn't even bump it. I was looking at "Countdown" instead, I swear it.

Mad scramble by everyone to pick up the copies. People are stepping on them.

I don't usually buy Dark Horse's Buffy, but I (the superstitious) bought one last night.

And in case you were wondering, Dawn is still a giantess. (Always found that plot a little corny, but...)

BTW, Tom Beland's True Story Swear to God #10 was sold out, after a 15-minute search throughout the store to locate it.

And I bought my sweetie the Bucky action figure, because that's how I roll. Even though in my opinion the figure looks a little dorky -- tiny head, big ears.

Tuesday, January 08, 2008

A (Comic) Bookstore Grows In Brooklyn


From the "It's A Small World After All" Department --

So me and the BF are slumming on a strangely summery (read: global warming, we all gonna die) Tuesday afternoon. Eating Burger King -- you know, the "BK."

BF says: "Hey, there's a DC Comics poster hanging in the bookstore across the street."

I say, squinting: "I don't see it." (I squint a lot.)

So we decide to go to the shop, a branch of "Shakespeare & Co" near Brooklyn College, and check it out.

The guy at the front counter looks familiar...

It's regular "Occasional Superheroine" reader Mordicai!

What are the odds, I asks ya, what are the odds?

He's actually helped develop a nice little niche of graphic novels within the store, and it seems to be doing well (it grew from just one shelf to the whole section). There are also key authors like Alan Moore cross-referenced within the literature section. And professors at the nearby college occasionally order comic titles from the store to teach for their classes.

In an area in which the nearest comic store is usually several subway stops away (grumble grumble), the Shakespeare & Co on Hillel is a nice little oasis for current & classic trade paperbacks & graphic novels.

And also -- I got to meet Mordicai! And Pete!

And I got a pair of used Spider-Girl trade paperbacks! How cool is that?